Ebook Forgetting English: Stories, by Midge Raymond
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Forgetting English: Stories, by Midge Raymond
Ebook Forgetting English: Stories, by Midge Raymond
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Review
"Raymond's prose often lights up the poetry-circuits of the brain...Parts of these polished stories, if read aloud, would sound like a smart patient describing a dream to a psychoanalyst." -The Seattle Times "Raymond has quiet, unrelenting control over the writing; each story is compelling and thrives because each detail and line of dialogue reveals just a little more about the characters and the evocative settings." - The Rumpus "Raymond skillfully uses the resources of place, culture, and language to reveal the complications of the heart and the complexities of human character and circumstance." -- Pleiades
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About the Author
Midge Raymond is the author of the novel My Last Continent and the award-winning short-story collection Forgetting English. Her writing has appeared in TriQuarterly, American Literary Review, Bellevue Literary Review, the Los Angeles Times magazine, Poets & Writers, and many other publications. Midge worked in publishing in New York before moving to Boston, where she taught communication writing at Boston University for six years. She has taught creative writing at Boston's Grub Street Writers, Seattle's Richard Hugo House, and San Diego Writers, Ink. She has also published two books for writers, Everyday Writing and Everyday Book Marketing.
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Product details
Hardcover: 198 pages
Publisher: Byte Level Research (July 9, 2018)
Language: English
ISBN-10: 1618220705
ISBN-13: 978-1618220707
Product Dimensions:
5.5 x 0.6 x 8.5 inches
Shipping Weight: 14.2 ounces (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
28 customer reviews
Amazon Best Sellers Rank:
#9,038,990 in Books (See Top 100 in Books)
I would not be able to select a favorite story from this collection because each one is exquisite in its own way. The stories' characters travel locations around the Pacific Rim, each encountering a deeply personal moment, some life-altering, some life-affirming. With a stunning economy of words, Midge Raymond paints a complete picture of the settings and their cultural ambiance while capturing the shift of the characters' inner landscapes under the influence of these beautiful locations. Her prose is as beautiful as the exotic locations, and the characters are as interesting as the places in which they find themselves.
The following story breakdowns (no spoilers) have been edited from a private e-mail written by me and adapted to fit this forum... R.A."First Sunday"I read the first sentence of this story and got a big kick out of it. What a fine way to begin a collection, with that sure touch of character placement as well as humor. This one got me on, if I may call it, a 'linguistic level,' in that its concerns with language (as evidenced in part by the section headings) felt very real to me. I like the positioning of this story re the collection because it sets up the reader thematically. And on that note, I appreciated that theme aspect, too; that here we have a range of tones and keys, but that certain melodies come back again and again."Translation Memory"This one is among my favorites. The text shifts back and forth between words, as Raymond writes, "liminal(ly)." Last few lines very strong. Playwrights talk about 'curtain lines' -- the crucial last line at the end of an act or play -- and there are some great ones in this collection."The Ecstatic Cry"I feel that this one might be the 'strongest' story in the collection. Let me define 'strongest' (smile): the most artful and real blending of fact and fiction, of style and substance, of concretism and absolutism. I keep thinking of the idea of the signature story. We hate to sum up authors, but it is a challenge and kind of fun, too. This one may be it. It begins with "I stifle an urge to start cleaning it up." Right away, we're dropped into the mystery as to why. And then it keeps pushing you forward, not only into odd physical terrain, but also into odd psychological terrain. I think the first-person helps establish a firmer reality to make the fantastic even more grounded."The Road to Hana"The symbolic story. If you stripped this one down to its barest essentials, you could make a neat Freudian dream out of it."Forgetting English""[W]ords hiss and snap in her ears..." Again, we've got a nice dichotomy set up in this book between language-as-barrier and language-as-communication, and the cultural/linguistic divide. In these stories, women are in foreign lands with foreign men, and both aspects of foreignness provide transitional opportunities."Rest of World"You can feel the spin of jet lag on this one. The pairing of the two 'how-to' books I found really funny, and sadly poignant."Beyond the Kopjes"One of my favorite sentences lives here: "Then she lies awaiting sleep, staring up at the ghostlike shroud of the mosquito net, feeling trapped and weighed down, even though it hangs far above her, so sheer and light that it flutters in the ceiling fan's breeze." Well, that's life, isn't it? A simple affair, really, when you see it for what it is, instead of what we cling to believing it is. I think there's quite a lot of that feeling in the book. The difference between, for example, the way the animals in the story understand what to do with life, and what the spectators/tourists understand."Never Turn Your Back on the Ocean"Being is acting, acting is being. When you do both well, you do neither. But this is what, in part, the protagonist experiences, as I read it, and what the book points to: that we are travelers even inside our own skins. That the idea of 'foreign' is only an idea, not the reality of things. We can either act or be. Other lands can reveal to ourselves who we are only if we stop our acting, and instead embrace the foreign inside of us. This may sound a little metaphysical/New Age-y, but I see it here in these stories. Cody's right: you CAN turn your back on the ocean if you accept your part of it (or its part of you) and realize the lack of real difference.
Wow, I can't believe I never wrote a review about this. This stories were very enjoyable. It was interesting to learn how different people cope in other cultures & countries.
I love this collection of short stories, featuring women in relationships (with others, but also with changing aspects of themselves),set in exotic locations. No words are wasted; all the dialogue and descriptions are crisp and engaging. And it's apparent that the author did her research. The story set in Antarctica was my favorite: I learned a lot about the region and its penguins, as Midge Raymond's language pulled me into awareness of the protagonist's courage and vulnerabilities. A great read--I too hope she writes a novel!
I enjoy short stories, so what a treat to come across Midge Raymond's collection! Each story is a piece of art, every word carefully chosen to create a tight and lovely little gift for the reader. These stories are so real, so haunting, and while we are only allowed a brief glimpse into the characters' lives, I find myself thinking about them long after. What a talented writer, Raymond is. Such fun to discover a "new" writer with such talent.
I always know when a short story has hit the spot when I say Oh Wow at the end. Each and every story in this book had its own charm and that wonderful twist at the end. I was left disappointed at the end of the book, I wanted more of the same. I now have another author to add to my favorites. Highly recommend.
This book is well written and very entertaining. Each story gives the reader a full experience culturally and interpersonally. The cover art is also a nice intro to what one will experience once you crack the cover. I look forward to more books by the same author. I also bought more to give as gifts. Good Job Midge Raymond!!!!
I really enjoyed all the short stories in this book. They're extremely well written and thought provoking. The only aspect I didn't enjoy much was the sheer sadness and loneliness felt by most of the characters.
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